Religion in Fiction
Certain works of fiction are designed to appeal to readers with strong belief systems. But not all “religious fiction” need be religious.
Certain works of fiction are designed to appeal to readers with strong belief systems. But not all “religious fiction” need be religious.
You may not realize it, but the most common problem with stories is that they’re tepid.
I’ve mentioned before that many bestselling stories share a common trait: they appeal to broad audiences—old and young, male and female.
Many new writers don’t know when to stop polishing a manuscript and move on to the next. Part of the reason for that might have
Writing clear dialog isn’t hard to do, but many new writers—and some old ones—make some pretty simple mistakes. Here are a few things to be wary of and that you should know.
I’ve often said that there are ten thousand right ways to write a story. Unfortunately, there are a million wrong ways to do so.
It may seem that there is an element of luck to this business. I won’t deny that. I often hear people compare it to a horse race.
I’ve said before that every story should have an emotional payoff. Yet far too often, I read stories where the payoff is weaker than it should be, or it isn’t there at all.
One of the most common problems I see with new writers is a “mistake in tone.” You know what I mean if you’ve ever played in a band. A new kid comes in, you’re trying to play a song, and he blats out a sour note on a trumpet. The same thing happens in writing.
6 Ways to Add Surprise to Your Writing Hollywood loves a “reveal.” That’s a moment where a bit of information that has been withheld from
Wait, before you go…
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