Reeling in Your Reader: The Power of Hooks
Captivating your reader’s attention and submerging them deep inside the story world is one of the universal goals for writers. We want our readers to experience the heart hammering, gasping for breath, sitting at their seat’s edge wondering how in the midnight sky their beloved character is going to escape an impossible conundrum. And to […]
Heart-Centered Book Marketing
by Beth Barany By the time I was ready to publish my first novel, I knew I needed to start thinking about marketing too. But I was scared. I felt like a young child daring to reveal her precious art up to the whole world. I was small and they were huge. And their response […]
Dos and Don’ts for Writing Viewpoint Voice
Many readers and editors state that a strong voice immediately draws them into a story, and one of the most important voices will come from your viewpoint character. But even when you’ve developed their personality and voice, it can still be tricky to actually get them on the page. Here are nine dos and don’ts […]
Understand and Implement Voice
In writing, voice happens at three levels: the author, the narrator, and the characters each have their own voices. While many editors and readers openly state they are hooked and reeled into a story by a strong voice, many writers struggle to understand let alone implement voice. Despite voice often being regarded as elusive, and […]
Fantasy and Our Modern World
Fantasy and Our Modern World: A Few Observations The first truly modern fantasy work was The Lord of the Rings by J.R.R Tolkien. That’s not a statement that very many critical theorists can dispute. But what is fantasy, and how did Tolkien make it “modern” and what does it mean for us today? Fantasy is […]
Religion in Fiction
Certain works of fiction are designed to appeal to readers with strong belief systems. But not all “religious fiction” need be religious.
Showing, Telling, Making
the adage “Show, don’t tell” is used to beg for more information. Yet I’ve always felt that that advice is . . . imprecise.
When I’m looking at a story, one of the simple things I look at is setting. There are so many aspects to setting, so let’s just look at a few
How to make a living as an author. Being prolific is not something I think about, but it is something I can teach.
You may not realize it, but the most common problem with stories is that they’re tepid.