David Farland: Story Doctor Writing Tips

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Writing in Broad Strokes

Writing in Broad Strokes

You should be able to do this with any story. For example, “Escape.” In the movie “The Terminator,” we have a monster from the future appear drop naked to the street. He goes into a biker bar and chooses a biker to steal some clothes from. He then begins to hunt for some woman named Sarah Conner. He starts going through the phone book, and killing anyone by that name.

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Why Emotional Beats in an Epic

Why Emotional Beats in an Epic

Part of what makes an epic an epic is that the reader tries to get a panoramic view of life, to experience a wide range of human emotions. I think that Tolkien handled this well in LOTR. He has a lot of warmth and humor and nostalgia in early parts of the story, but then he builds up to terror, despair, and horror. There is some triumph and tragedy and a lingering sense of isolation and remorse for our hero, too.

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Create Powerful Book Openings

Create Powerful Book Openings

Your story begins when you have a character (likeable or not), in a setting (interesting or not), with a problem (and it darned well ought to be a doozy). My mentor Algis Budrys said that as a rule of thumb, if a writer doesn’t have that by page two, then the story most likely isn’t sellable. He’s right. The stories that do well in my competition are the ones that grip me from the first page to the last.

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Brandon Sanderson
Brandon Sanderson#1 New York Times bestselling author of The Way of Kings and Mistborn
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"I still use the writing techniques he discussed, and constantly reference him and his instruction when I teach creative writing myself. . . His explanations led me directly to getting an agent, and subsequently, my first book deal."