Stories as Transformational Literature 

Stories as Transformational Literature

Often we think of stories as mere entertainment, but by telling a story we can actually transform a reader: 

Identity phase 

A story does not begin until you have a character, in a milieu, with a conflict.  At this phase of the story, my goal is threefold: 1) Create a character who audiences will identify with so that they can easily slips into the persona of the protagonist. Give the character a problem that the reader will feel personally and respond to, and then create a setting that is so visceral that the audience forgets that they are reading and is transported fully into the story. 

Note: the hormones stimulated in this phase of storytelling are cortisol and adrenaline as we introduce dangers, but we also stimulate oxytocin as the reader begins to care about and identify with the protagonist, and we stimulate the release of dopamine as the reader struggles to resolve the mystery of how to resolve the problem. 

Transport phase 

In this middle of a tale, the reader imagines himself in the role of the protagonist, and is living through the tale.  The protagonist struggles to respond to a problem but discovers that it is larger than first imagined.  As the protagonist tries to resolve the problem, the tale demonstrates how the problem “broadens,” (so the problem affects many people) and the attempts at resolution show how the problem “deepens” (affecting the protagonist more deeply than he imagined).  In short, the audience is awakened to the enormity of the problem.  The resolution attempts demonstrate how others have struggled with the problem and been destroyed by it time and again.  (For example, we might show how people have been consumed by hate, destroyed by sloth, been gutted by alcoholism, and so on.) 

The Transformational Phase 

At the climax of the story, the “awakened” protagonist seeks out new resources and has an epiphany, a “revelation,” that lets him solve the problem.  This epiphany releases oxytocin into the brain to help the audience remember the lesson they’ve learned. 

The Validation 

The validation performs three functions: 1) It demonstrates that the problem has been truly resolved by showing what happened after the climax. 2) It creates a powerful emotional response which releases serotonin to “cleanse” the reader from the effects of cortisol and adrenaline. 3) The ending demonstrates to the reader that the story is truly over. 

Discover a new approach to storytelling in just 100 days!
Unlock your FREE copy of ‘Daily Meditations: Writer’s Tips for 100 Days‘ and embark on a transformative writing journey. Click to begin!

Leave a Reply

Did you like this writing tip?
Click below to share with your friends

Related Posts
how to get a book published
David Farland

How to Get a Book Published 

Are you looking to publish a book? Let me tell you how to get it done.  Today, there are two paths to publishing: traditional publishing and self- (or independent) publishing.  

READ THIS POST
david farland jackie chan
David Farland

How to Build a Better Outline For Your Novel

You probably wouldn’t sink a million dollars into building a home without a blueprint. You certainly wouldn’t begin creating something as intricate as a cathedral without detailed plans. So why would you sink a year or two into composing a novel without plotting it?

READ THIS POST
how to write a short story
David Farland

How to Write a Short Story

As lead judge to the world’s largest competition for sci-fi and fantasy short fiction, David Farland can tell you exactly how to write a short story that’s a winner. The

READ THIS POST
how to write a book
David Farland

How to Write a Book

If you aren’t excited about a novel, chances are excellent that you’ll lack the energy to finish it. Your subconscious will rebel at the idea, and you’ll just go through the motions, wishing that you were working on another project. So you have to find story ideas that thrill you. You have to write from the heart.

READ THIS POST
How to write a book
David Farland

How to Write Your First Five Pages

How to Write Your First Five Pages:
1. From the very first sentence, I want to see that you’re not just a competent writer, but a skillful one.

I want to see that you have a way with words, so that I feel as if I’m in the hands of a professional storyteller. That means that I won’t feel confused, and I won’t get tripped up by typos or beginner’s mistakes. Indeed, I want to see that you’re talented right from the first sentence. Half of the editors and agents say that they look for a great voice right out the gate, whether it be the voice of the narrating character or of the author.

READ THIS POST
A colorful light bulb in front of interlocking red, yellow, and blue gears, symbolizing creativity and productivity working together.
Tammy Burke

Brainstorming for Stories: How to Turn Sparks into Worlds

Brainstorming is one of the most magical—and challenging—parts of being a writer. Ideas may arrive in a rush or drip in slowly, but either way, they form the first threads of story. The truth? Waiting for inspiration won’t always serve you. Instead, the key is to explore how to spark fresh ideas from familiar tropes, surprising “what ifs,” and creative collisions. Originality doesn’t mean inventing something brand new—it means putting your unique spin on timeless patterns so readers experience them as both familiar and exciting.

READ THIS POST
A figure in a bright red cloak walks across a black-and-white field toward a tree whose shadow stretches long across the ground. The word “Foreshadowing” appears in dark red letters to the right.
Tammy Burke

Foreshadowing in Writing:

Foreshadowing is the art of planting clues that make your story’s twists feel both surprising and inevitable. Learn the different types of foreshadowing, strategies for layering clues, and how to test your twist so it hits the perfect balance.

READ THIS POST
Stone statue of a robed woman, captured against a dramatic sunrise sky with soft orange and blue clouds, symbolizing inspiration and waiting.
Special Guest

Why Your Writing Muse Isn’t Your Friend

Too many writers wait for the writing muse to return, convinced that inspiration is the only way forward. But waiting keeps you stuck, staring at the page. The truth? Momentum is born not from longing, but from action. Start writing, and the muse may find you already at work.

READ THIS POST
No more posts to show

Wait, before you go… Be sure to grab a FREE copy of Dave's Proven Writer Tips for 100 Days!

Daily meditations Writer Tips for 100 days book image
Daily meditations Writer Tips for 100 days book image

Enter your name and email below to get it delivered straight to your inbox!

Brandon Sanderson
Brandon Sanderson#1 New York Times bestselling author of The Way of Kings and Mistborn
Read More
"I still use the writing techniques he discussed, and constantly reference him and his instruction when I teach creative writing myself. . . His explanations led me directly to getting an agent, and subsequently, my first book deal."